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There are infinite ways to approach Color Correction and the best thing isno one way is the best. You don’t need every plug-in known to man, a 4k projector and a $20,000 control surface to color correct. And a must need for everyone to start learning color grading. I wish you can do a video tutorials for important Tips and how to solve.

There seems to be a knee-jerk reaction to calibrate a monitor. Seems to me you should verify the monitor needs calibration before changing it.

Why not print a photo, compare it to the screen image, then decide if the monitor needs calibration? On my 3-year-old iMac, I need to boost the brightness a bit before printing. If I reduce the screen's brightness to match the printed image, it's too dim for general use. The images appear fine when viewed on another computer (e.g., from my website); it's only when printing that the image is too dark. I fail to see how calibrating it will improve my situation. In general, if your images look okay on other computers and the printed output matches the screen image, what's the value of calibrating?

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Perhaps I'm missing something, but I've never understood this obsession with calibration. Jforkner wrote: There seems to be a knee-jerk reaction to calibrate a monitor. Seems to me you should verify the monitor needs calibration before changing it. Why not print a photo, compare it to the screen image, then decide if the monitor needs calibration? On my 3-year-old iMac, I need to boost the brightness a bit before printing.

If I reduce the screen's brightness to match the printed image, it's too dim for general use. The images appear fine when viewed on another computer (e.g., from my website); it's only when printing that the image is too dark. I fail to see how calibrating it will improve my situation. In general, if your images look okay on other computers and the printed output matches the screen image, what's the value of calibrating? Perhaps I'm missing something, but I've never understood this obsession with calibration.

Jack I wouldn't call it an obsession. As I do a lot of printing and have been hanging same in galleries and selling prints, it's critical to me to have a color managed workflow. With calibration, I consistently get a print that is exactly what I'm seeing on the monitor, which is critical when you're making large prints and spending a lot of money on top-of-the-line paper and archival inks.

The idea is not to adjust the monitor to match the printed image. It's to see the image on your monitor as it will print and make adjustments accordingly. Also, monitors 'drift' over time and need to be periodically readjusted. Some, such as my 30' ACD, don't show a full Adobe RGB color space. You make a point about the reduced brightness making the monitor too dim for general use.

I used to feel that way. Now, I never give it a thought (until now). JonathanRphoto wrote: Hey guys, I have never had an apple computer before and just recently got a 27' iMac for editing. It comes color calibrated.